Photos
Paintings in Landscape

Black New York Intentional

60" x 40"
Canvas with pigmented ink and clear acrylic

Black New York Intentional New Orleans Avoid-Office-Lighting.

Blue Miami Handle

60" x 40"
Canvas with pigmented ink and clear acrylic

Blue Miami Handle Black New York Intentional New Orleans Avoid-Office-Lighting.

Purple Chicago Self

60" x 40"
Canvas with pigmented ink and clear acrylic

Purple Chicago Self, motorcycle crash painting

Yellow Miami House

60" x 40"
Canvas with pigmented ink and clear acrylic

Yellow Miami House Silver-Miami-Through New York Intentional New Orleans Avoid-Office-Lighting.

Silver Miami Through

60" x 40"
Canvas with pigmented ink and clear acrylic

Silver-Miami-Through New York Intentional New Orleans Avoid-Office-Lighting.

Red Chicago Roofs

60" x 40"
Canvas with pigmented ink and clear acrylic

Red Chicago Roofs Silver-Miami-Through New York Intentional New Orleans Avoid-Office-Lighting.

Red Miami Beach

30" x 16"
Canvas with pigmented ink and clear acrylic

Red Miami Beach

Details over the Edge
Painting from Detroit

Landscape Paintings by Miller Enterprises, visual stimulation products,
often have details over the edge of the canvas, around the sides.

often have details over the edge of the canvas Silver-Miami-Through New York Intentional New Orleans Avoid-Office-Lighting.

Video: How to Paint a Picture with a Car.
How I Learned to Stop Worrying and Love the Bomb

This is a three minute documentary where the artist crashes a brand new car into a concrete wall to make a painting. A bit of driving around New York talking about contemporary art, then, bam, the money shot.

'Twas a non-fatal crash, however the car was totaled with a bent frame and had to be towed away.

Beautiful picture painted on the wall in Bronx, New York City.

wheel: Brian Miller
spokesmodel: Annmaria Mazzini
camera: Drew Cliness
editing: Erik Vidal

 

uncensored complete transcript thru this link

An artist drives around New York, talking about art, then crashes a car to make a painting. Side-View-of-Impending-Vortex

Explanatory Nomenclature

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These paintings occur naturally. Most people don't notice them. They appear where ever there is high speed traffic and smooth new concrete barriers. They are randomly painted by nonaware artists. I harvest them.

 

Harvesting these damn things is always an intense project. They need to be discovered first. Then located by landmark immediately, or they will be lost; land moves by fast under the wheels. The return drive is usually overlong. When rearriving to the subject, the safe vehicle, either motorcycle or van, must be stopped upstream of the site for use as a shield. All of this sounds pretty easy, but is actually very difficult even in sparse traffic. Hitting a spot like stopping a bobsled on a mark, actually stopping just before the mark. No it is more like riding a roulette ball, or being Frisbee golf.

 

And the best paintings are always on the fast lane side.

 

The most exciting part of the project is waiting for breaks in the traffic; then running out, crouching and taking a photo. Over and over. 60mph truck compared to 0mph Brian is high contrast. Very thrilling. Fun.

Spokesmodel-Annmaria-Mazzini---photo-of-car-crash-painting-by-artist-Brian-Miller-millerx scenery-where-cars-crash-to-make-paintings-naturally-occuring-Brian-MillerNew Orleans Avoid-Office-Lighting.
drift-skid--the-natural-scene-and-high-quality-material-for-landscape-paintings-by-artist-Brian-Miller-painting-made-by-car-crash-Miami-Beach Spokesmodel-Annmaria-Mazzini---photo-of-car-crash-painting-by-artist-Brian-Miller-millerx scenery-where-cars-crash-to-make-paintings-naturally-occuring-Brian-MillerNew Orleans Avoid-Office-Lighting.